THE CRA PERSPECTIVE All I Have Is Yours, Lord A reflection on grace, gratitude, humility and the beauty of surrender What do I have that I did not receive? What can I truly claim as mine apart from grace? There are moments when we need to pause and look beyond our achievements, possessions, abilities and ambitions. We may work hard for what we accomplish, make sacrifices for our families and spend years developing our talents. Yet, beneath every achievement lies a deeper truth: life itself is a gift. Our breath, our opportunities, our strength, our relationships and even the ability to begin again are blessings we often take for granted. Gratitude begins when we recognise that we are not the sole authors of everything good in our lives. The prayer “All I Have Is Yours, Lord” expresses a heart that no longer wishes to live only for possession, recognition or personal glory. It is the quiet acknowledgement that everything entr...
The origins of traditional Bhangra are speculative. According to Dhillon (1998), Bhangra is related to the Punjabi dance 'bagaa' which is a martial dance of Punjab.
However, the folk dance of Majha originated in Sialkot and took root in Gujranwalla, Sheikhupur, Gujrat (districts in Punjab, Pakistan) and Gurdaspur (district in Punjab, India). The traditional form of Bhangra danced in the villages of Sialkot district is regarded as the standard. Although the main districts where traditional Bhangra is performed are in Punjab, Pakistan, the community form of traditional Bhangra has been maintained in Gurdaspur district, Punjab, India and has been maintained by people who have settled in Hoshiarpur, Punjab India after leaving what is now Punjab, Pakistan.
Being a seasonal dance, traditional Bhangra is practiced in the month leading up to the festival of Vaisakhi. During this month, the harvest, especially wheat crop, is reaped. Local fairs mark the festival of Vaisakhi. After days of harvesting and at Vaisakhi fairs, Bhangra is performed, as a dance of men alone.
Traditional Bhangra is performed in a circle and is performed using traditional dance steps. The drum is played according to local beats and is accompanied by singing peculiar to Majha which are folk songs called dhola. The following is an example of a dhola
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